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The 25 best documentaries streaming that capture memorable moments in time

Everett (3)

Entertainment Weekly ‘Fire of Love’; Kathleen Hanna in ‘The Punk Singer’; Pepper LaBeija in 'Paris Is Burning' Everett (3)

What makes for a good documentary? Should the subject matter be unfamiliar, allowing us to learn more about a fascinating subculture? Should it both inform us and engage our emotions by capturing deeply human moments of triumph and tragedy? Should it remain as objective as possible, allowing us to make up our minds on the footage presented?

One of the great assets of thedocumentary genreis that it can take any form. From on-the-ground reporting to eye-opening archival footage, the world of documentary is vast, and, with so many produced every year, it's difficult to know what is worth your time to watch. To help you narrow things down, we atEntertainment Weeklyhave combed through various streaming services to select our picks for the best of the best.

Ahead, read our list of the 25 best documentaries streaming now, and on what platform you can find them.

All the Beauty and the Bloodshed(2022)

Nan Goldin in 'All the Beauty and the Bloodshed' Neon

This biographical documentary about photographer/activist Nan Goldin is epic in scope but intimate in its themes. The film focuses on Goldin's ongoing battle against the billionaire Sackler family and their role in the opioid epidemic through their pharmaceutical company, Purdue Pharma. Her protests and demonstrations are intercut with footage of Goldin's early career as a photographer with an interest in the LGBT+ community, most notably during the AIDS crisis of the '80s.All the Beauty and the Bloodshedis a moving testament to the power of advocacy and an unflinching portrait of an artist's role in society. —Kevin Jacobsen

Where to watchAll the Beauty and the Bloodshed: HBO Max

Director:Laura Poitras

Come See Me in the Good Light(2025)

Megan Falley and Andrea Gibson in 'Come See Me in the Good Light' Apple TV

This poignant documentary follows poet Andrea Gibson and their wife, Meghan Falley, as they face Gibson's terminal cancer diagnosis. While narrowing in on their enduring relationship with Falley, the film follows Gibson preparing to give what would be their final poetry reading. Aided by Gibson's strikingly beautiful compositions,Come See Me in the Good Lightis an honest, heartfelt exploration of grief and creative expression. —K.J.

Where to watchCome See Me in the Good Light: Apple TV

Director:Ryan White

Dear Zachary: A Letter to a Son About His Father(2008)

Andrew Bagby in 'Dear Zachary: A Letter to a Son About His Father' Everett

Kurt Kuenne'sdevastating documentaryabout grief and the Canadian legal system's failings revolves around the murder of his friend, Andrew Bagby, at the hands of his mysterious ex, Shirley Turner. What follows is an examination of Turner's baffling release from prison and the incredible sorrow that envelops the family after tragically losing a son and getting mired in a custody battle with the very person responsible. —Eric Farwell

Where to watchDear Zachary: A Letter to a Son About His Father: Amazon Prime Video

Director:Kurt Kuenne

Dick Johnson Is Dead(2020)

Dick Johnson in 'Dick Johnson Is Dead' John Wakayama Carey/Courtesy of Sundance Institute

John Wakayama Carey/Courtesy of Sundance Institute

There's no "right" way to deal with grief, or the anxious fear of waiting for something bad to happen that youknowwill come to pass. But Kirsten Johnson found a unique outlet inDick Johnson Is Dead, in which she deals with her father's dementia and the looming specter of his death by killing him on camera repeatedly (with his enthusiastic participation).

Watching father and daughter execute each fatal scenario gives us a remarkable glimpse into their relationship — and the catharsis that comes with the creative process itself. The film's intimate sense of joy is not a deflection against the truth of what the Johnsons are facing, but a self-conscious, honest expression of it. —Chris Bellamy

Where to watchDick Johnson Is Dead: Netflix

EW grade:A–

Director:Kirsten Johnson

Fire of Love(2022)

A still from 'Fire of Love' Courtesy of Sundance Institute

Courtesy of Sundance Institute

One of two movies about volcanologists Katherine and Maurice Krafft released in 2022 (the other,The Fire Within: A Requiem for Katia and Maurice Krafft, was directed byWerner Herzog),Fire of Loveis part self-portrait, part nature documentary, and part elegy. The pair died in the 1991 Mount Unzen eruption but left behind two decades of footage from which this documentary is compiled. This is a love story between two people and their shared obsession, one inseparable from the other. The film casts their lives as a testament to the power of science and paints discovery as the ultimate act ofself-discovery. —E.F.

Where to watchFire of Love: Hulu

EW grade:A–

Director:Sara Dosa

Free Solo(2018)

Alex Honnold in 'Free Solo' Everett

Oscar winner for Best Documentary Feature,Free Solois a gripping psychological profile almost by accident. Ostensibly, it's about Alex Honnold's attempt to complete the first free solo climb of Yosemite's El Capitan, but, in spending so much time documenting the pursuit, the film can't help but implicitly askwhy, or rather,what kind of person would be driven to do this?The mortality rate for free solo climbers is a fact Honnold casually accepts. Thus,Free Solois thrilling for its footage and what its subject tries to accomplish, but a sense of existential ambivalence comes with that morbid thrill. —C.B.

Where to watchFree Solo: Hulu

EW grade:A–

Directors:Elizabeth Chai Vasarhelyi, Jimmy Chin

Gates of Heaven(1978)

Poster for 'Gates of Heaven' Everett

InErrol Morris' debut, viewers are introduced to the unique personalities that operate pet cemeteries in Napa Valley. Morris lets his subjects' personalities sparkle, weaving a wild farcical tale about the mundane that is believable butjustweird enough to stand out. Morris would later scale up to more serious and heady subjects, but he never had a more curious or fascinated eye than when documenting 450 dead animals being dug up for reburial at a different location. —E.F.

Where to watchGates of Heaven: AMC+

Director:Errol Morris

Grizzly Man(2005)

Timothy Treadwell in 'Grizzly Man' Lionsgate/Everett

Lionsgate/Everett

Werner Herzog has long been an important and divisive figure in documentary filmmaking, and this film is perhaps the best example of why. Following the life and death of bear obsessive Timothy Treadwell, Herzog tries to give audiences a jumping-off point for understanding his passion, succeeding only to the extent that it's possible to understand him at all. This is a complicated portrait of a person who believed in the good of wild animals and ultimately died as a result. But Herzog never judges or condescends to Treadwell, even if his involvement in documenting the fallout becomes increasingly complicated. —E.F.

Where to watchGrizzly Man: Amazon Prime Video

Director:Werner Herzog

Hoop Dreams(1994)

William Gates in 'Hoop Dreams' Fine Line Features/Everett

Fine Line Features/Everett

Hoop Dreamspossesses a lightning-in-a-bottle magic that documentaries rarely capture. Over five years, the film follows two young Black teenagers in Chicago who get recruited to play basketball at an upscale prep school. It's the late-1980s,Michael Jordanis ascending to god status, and the possibilities of discovering the next great superstar are infinite. Regardless of whether Arthur Agee and William Gates become the next Jordan — or even the next Isiah Thomas — their lives wind up far more interesting than potential glory, with unexpected developments achieving a profundity few scripts ever could have. —C.B.

Where to watchHoop Dreams: HBO Max

Director:Steve James

I Am Not Your Negro(2016)

A gathering of protestors near the Lincoln Memorial in 'I Am Not Your Negro' Magnolia Pictures

This thought-provoking examination of the systemic oppression against Black Americans is made all the more powerful by its central figure:James Baldwin. Our narrative anchor is the influential writer's perspective on racism being intrinsically linked to the soul of America, as evidenced during the tumultuous civil rights movement of the 1960s and beyond. The poetically assembled film delves into several facets of racism in the 20th century, from segregation to harmful portrayals in the media to the prison-industrial complex. "It's impossible not to think: The more things change, the more they stay the same,"EW's critic writes of the film. "It's enough to make you weep." —K.J.

Where to watchI Am Not Your Negro: Amazon Prime Video

EW grade:A–

Director:Raoul Peck

If God Is Willing and da Creek Don't Rise(2010)

A scene from 'If God Is Willing and da Creek Don't Rise' Everett

Spike Lee's two-part follow-up documentary to the equally excellentWhen the Levees Broke(which is also streaming on HBO Max) examines the effort to rebuild New Orleans after Hurricane Katrina and how the disaster changed the city. Lee is terrifically skilled at bringing disparate concepts together; here, he captures everything from police corruption and the loss of four housing projects to the New Orleans Saints and their Super Bowl XLIV victory, the latter serving as a vibrant pulse that amplifies the possibility of what the city is capable of. —E.F.

Where to watchIf God Is Willing and da Creek Don't Rise: HBO Max

Director:Spike Lee

Lost in La Mancha(2002)

Terry Gilliam and Johnny Depp in 'Lost in La Mancha' Everett

Terry Gilliamtried and failed to mount his vision ofThe Man Who Killed Don Quixotefor years before finally succeeding in 2018, 16 years after this documentary arrived. Despite every effort Gilliam and his production crew made, there was no way to save the initial attempt at making the movie, which may have contributed to Gilliam's diminished presence in the entertainment industry.

This film explores the many ways that art can be destroyed or inhibited, including a NATO practice base making too much noise, the destruction of sets, and personal injury. It's also a rare documentary where knowing the end result enhances the work rather than rendering it irrelevant, turning the entire project into an arc about the long road some dreams take. —C.B.

Where to watchLost in La Mancha: The Roku Channel

Directors:Keith Fulton, Louis Pepe

Marjoe(1972)

Marjoe Gortner (right) in 'Marjoe' LMPC via Getty

LMPC via Getty

This Oscar-winning documentary follows the fascinating life of Marjoe Gortner, a former child preacher who returned to the practice as a young adult solely for financial purposes. Influenced by rock stars like Mick Jagger, Gortner used his charisma to make a killing on the revivalist circuit, with the doc deftly exploring how for-profit religious figures use shady manipulation tactics. "Part of what makesMarjoesuch a knockout of a movie is not knowing exactly how to feel about it when its end credits come up,"writes EW's critic. "And when was the last time a movie made you feel something as complicated as that?" —K.J.

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Where to watchMarjoe: The Roku Channel

Directors:Howard Smith, Sarah Kernochan

Meru(2015)

Scene from 'Meru' Everett

Anyone who's ever said "It's not the destination, it's the journey" has never met the climbers inMeru. For them, the destination is everything as they scale Mount Meru in the Indian Himalayas via the treacherous Shark's Fin route with their eyes on the peak. Few documentaries have ever provided this kind of first-person access to true, gravity-defying danger — because most documentaries are not co-directed by one of the very people at risk. But Jimmy Chin is the exception, filming his climb, avalanches, injuries, and near-fatal setbacks that befall the voyage. What follows is remarkable, harrowing, and a marvel of documentary editing. —C.B.

Where to watchMeru: Netflix

Directors:Jimmy Chin, Elizabeth Chai Vasarhelyi

MLK/FBI(2020)

Martin Luther King Jr. in 'MLK/FBI' IFC Films

Sam Pollardhelms this keen examination of the FBI's role in the torment and death of Dr. Martin Luther King Jr. From early attempts to create division and dissent in his ranks to phone taps, the organization operated from a place of racist anxiety over the power of Black America and one leader who was leading a peaceful and righteous path to equity. Pollard's film is especially poignant in showing how short-sighted the country remains, even if the methods of dismantling progress have shifted from political entities to more public-facing groups. —E.F.

Where to watchMLK/FBI: AMC+

Director:Sam Pollard

Moonage Daydream(2022)

David Bowie in 'Moonage Daydream' Neon

Some films' attempts to honor a musician fall short of truly capturing their essence. Not so with this visually striking doc about the artistry ofDavid Bowie, with its kaleidoscopic imagery and a playfully experimental narrative.Moonage Daydreamcompellingly depicts Bowie's ever-changing desire to shape-shift as an artist, as well as the films, fashion, and music that influenced him throughout his career. Director Brett Morgen,EW's critic writes, "ends up articulating a point that's deeper and more sophisticated than mere biography, an insight that feels like a serious contribution to music criticism." —K.J.

Where to watchMoonage Daydream: Netflix

EW grade:A–

Director:Brett Morgen

Paris Is Burning(1990)

Pepper LaBeija in 'Paris Is Burning' Everett

To say Black, Hispanic, and LGBTQ+ cultures were largely ignored or erased by mainstream America in the 1980s (and beyond) is an understatement. That fact is one undercurrent ofJennie Livingston'sParis Is Burning, which documents Harlem ball culture of the mid-to-late-'80s and finds a host of endearing performers all too eager to bring us into their orbit.

The beauty and vibrancy of drag balls speak for themselves, but Livingston is also savvy enough to understand how those events intersect with the political and social realities of the time. This is a vital document that's both celebratory and sobering. —C.B.

Where to watchParis Is Burning: HBO Max

Director:Jennie Livingston

The Perfect Neighbor(2025)

Susan Lorincz in 'The Perfect Neighbor' Courtesy of Netflix

Courtesy of Netflix

This award-winning documentary proves that a sharp director can build a compelling story using nothing but surveillance and bodycam footage. Directed by Geeta Gandbhir,The Perfect Neighborfollows a 2023 incident in Ocaca, Fla., in which Susan Lorincz shot and killed her neighbor, Ajike Owens. Presenting recorded bodycam footage of the events leading up to the murder and the aftermath (including Lorincz frequently calling the police on her neighbors), the film provides a harrowing look at racial violence and systemic bias. —K.J.

Where to watchThe Perfect Neighbor: Netflix

Director:Geeta Gandbhir

The Punk Singer(2013)

Kathleen Hanna (center) in 'The Punk Singer' Everett

Kathleen Hannafronted punk greatsBikini Killand Le Tigre, two bands that existed at different times in the evolving (but still sexist) conversation about women and their place in culture, with the musicians often serving as paragons of feminist critique and anguish. This Sini Anderson documentary contextualizes Hanna within the progressive alternative rock scene that emerged in the 1980s and gained true steam in the '90s, before highlighting her struggle with Lyme disease and the way the messages in Hanna's music translate her personal battles. —E.F.

Where to watchThe Punk Singer: Pluto TV

Director:Sini Anderson

Samsara(2011)

A dance sequence from 'Samsara' Everett

Talking heads, voiceover, and archive footage have their place in documentary filmmaking — perhaps disproportionately so — but a movie like Ron Fricke'sSamsaraunlocks the capabilities of the form. It's far from the first non-narrative doc — for one, Fricke shot Godfrey Reggio's iconicKoyaanisqatsi(1982) and directedBaraka(1992) — but it may be the most gorgeous.

Samsarauses its spectacular, globetrotting 70mm footage to philosophize about life on Earth, forging connections across time, space, and place. Fricke's meditation on cycles of creation and destruction is free-associative yet thematically controlled, with the final result existing somewhere at the nexus of musical, essay, and poem. —C.B.

Where to watchSamsara: Tubi

EW grade:B–

Director:Ron Fricke

Stories We Tell(2012)

Iris Ng and Sarah Polley in 'Stories We Tell' Everett

Sarah Polley's films are gut punches that incorporate the mind as much as the heart, often exploring community, family, and truth. In this documentary about the affair that led to her birth, Polley incorporates home movie footage — some authentic, some staged — and interviews with different family members to plumb the depths of a woman who remains, even to those who knew her, something of an enigma.

While most documentaries, personal or political, tend to land on one specific version of events,Stories We Tellis wise enough to know the truth is in the eye of the beholder, the rememberer, and the storyteller. —E.F.

Where to watchStories We Tell: Tubi

EW grade:A–

Director:Sarah Polley

Sugarcane(2024)

Chief Willie Sellars of the Williams Lake First Nation in 'Sugarcane' National Geographic Documentary Films/Courtesy Everett Collection

National Geographic Documentary Films/Courtesy Everett Collection

The sins committed by colonialists against Indigenous populations are still being uncovered many years later, as this heavy, Oscar-nominated documentary details. Probing deep into the history of the Catholic-run Indian school system in Canada,Sugarcanereveals years of systemic abuse against Indigenous students, which left a fundamental impact on the community. Directors Julian Brave NoiseCat and Emily Kassie seamlessly weave together those traumas with the present-day residents of the local Sugarcane Reserve as they reckon with the past. —K.J.

Where to watchSugarcane: Disney+

Directors:Julian Brave NoiseCat, Emily Kassie

Summer of Soul (...Or, When the Revolution Could Not Be Televised)(2021)

Nina Simone in 'Summer of Soul (...Or, When the Revolution Could Not Be Televised)' Courtesy of Searchlight Pictures

Courtesy of Searchlight Pictures

Ahmir Thompson (a.k.a.Questlove) painstakingly restored footage from the historic 1969 Harlem Cultural Festival, which saw the best acts of the era take the stage over six Sundays in the same summer as Woodstock. Words can't adequately capture how emotionally resonant it is to see Stevie Wonder, Mahalia Jackson, Nina Simone, B.B. King, and Sly and the Family Stone, as brilliant as they've ever been, perform for New Yorkers who needed a reason to unite and celebrate. This isn't just a movie about music but a musical experiment, a historical document with its own meticulously crafted beats and rhythms. —E.F.

Where to watchSummer of Soul(...Or, When the Revolution Could Not Be Televised): Hulu

EW grade:B+

Director:Ahmir "Questlove" Thompson

The Thin Blue Line(1988)

Randall Dale Adams in 'The Thin Blue Line' Everett

Errol Morris is one of the most celebrated documentarians of his time. Here, he follows his curiosity to the shooting of Dallas police officer Robert W. Wood and the man convicted of the crime, Randall Adams. Investigating inconsistencies in the case, Morris utilizes testimonies from key figures to recreate pieces of the night in question in strange and striking detail.

Far from offering a traditional examination of a "wrong place, wrong time" miscarriage of justice, Morris turns his fixation into a shared obsession, with the director as the crafty detective and the audience as his second set of eyes. —E.F.

Where to watchThe Thin Blue Line: AMC+

Director:Errol Morris

The War Room(1993)

George Stephanopoulos and James Carville in 'The War Room' October Films/Everett

October Films/Everett

What goes into winning an election? This is the question explored inThe War Room, which examinesBill Clinton's presidential bid via the proxies ofJames Carvilleand George Stephanopoulos, who ran his campaign and engineered its success in an outsized way. The film considers the relationship between the media and politicians, and how savvy minds can spin news into something that makes or breaks the success of someone, no matter how dirty their hands are. —E.F.

Where to watchThe War Room: HBO Max

Directors:Chris Hegedus, D.A. Pennebaker

Read the original article onEntertainment Weekly

The 25 best documentaries streaming that capture memorable moments in time

Everett (3) What makes for a good documentary? Should the subject matter be unfamiliar, allowing us to learn...
Lewis Hamilton on F1 future: 'I'm not going anywhere'

Seven-time world champion Lewis Hamilton feels "reset and refreshed" entering the 2026 Formula 1 season.

Field Level Media

"I'm not going anywhere, so stick with me," the 41-year-old British driver posted Saturday on Instagram.

Hamilton is coming off a disappointing debut season with Ferrari, failing to reach a single podium in 2025.

The 105-time race winner sounded upbeat as testing concluded this week at Bahrain.

"That's a wrap on testing," he posted. "It's inspiring to watch a team pull out all the stops to build a car.

"It's the most fascinating part of this job for me. Everything is built from scratch and designed and redesigned over and over. And then there are only a few of us who get to put that machine to the test. That feeling never gets old.

"I want to say a huge thank you to everyone in the team back at the factory for the hard work to get to this point!! I am truly grateful.

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"I love this job so much and I love working with my team and driving for the fans. I'm incredibly lucky to be able to do what I do, and I'm excited for the season ahead."

Hamilton's 20th F1 campaign begins with the Australian Grand Prix on March 7.

He concluded his post with a promise to his supporters that this season will be different.

"For a moment, I forgot who I was, but thanks to you and your support you're not going to see that mindset again," he wrote.

"I know what needs to be done. This is going to be one hell of a season. I've given everything to be here today. Let's go team!!!"

Hamilton's last victory was the Belgian Grand Prix on July 28, 2024. His last world championship came in 2020.

--Field Level Media

Lewis Hamilton on F1 future: 'I'm not going anywhere'

Seven-time world champion Lewis Hamilton feels "reset and refreshed" entering the 2026 Formula 1 season. ...
Injured Canada captain Sidney Crosby's status uncertain for the Olympic gold medal game

MILAN (AP) — Canada has not decided whether injured captain Sidney Crosby will play inthe gold medal gameat the Olympicsagainst the U.S.on Sunday, coach Jon Cooper said Saturday.

Associated Press Canada's Connor McDavid wears the team captain's letter C on his jersey in place of the injured Sidney Crosby during the second period of a men's ice hockey semifinal game against Finland at the 2026 Winter Olympics in Milan, Italy, Friday, Feb. 20, 2026. (AP Photo/Carolyn Kaster) Canada's Sidney Crosby (87) is led away from the ice after being injured during the second period of a men's ice hockey quarterfinal game between Canada and Czechia at the 2026 Winter Olympics, in Milan, Italy, Wednesday, Feb. 18, 2026. (AP Photo/Hassan Ammar) Canada's Sidney Crosby (87) is attended to after being injured during the second period of a men's ice hockey quarterfinal game between Canada and Czechia at the 2026 Winter Olympics, in Milan, Italy, Wednesday, Feb. 18, 2026. (AP Photo/Hassan Ammar)

Milan Cortina Olympics Ice Hockey

Crosby skated in practice, which was closed to reporters to maintain ashroud of secrecyaround the status of the 38-year-old center who is the most decorated player on the team with two Olympic gold medals and three Stanley Cup rings and was a key contributor before getting hurt.

"Obviously we'd love to have him," Cooper said. "He won't put himself in harm's way, and he's not going to put the team in harm's way."

Crosby leftthe quarterfinal game Wednesday night against Czechia with an apparent right knee injury and did not playagainst Finlandon Friday night in the semifinals.Connor McDavid wore the "C"in Crosby's absence and assisted on Nathan MacKinnon's go-ahead goal with 35.2 seconds remaining.

International rules allow teams to dress 13 forwards instead of the 12 permitted in the NHL, but Cooper cast doubt on the possibility of Crosby being in uniform just to fill a limited role.

"No. No, it's too important," Cooper said. "We don't want to have somebody in there as an inspiration when we could have a player that could be capable of helping. You never know if guys are going to get hurt in the game. He wouldn't want to do that, either."

Cooper pointed to two of his players with the Tampa Bay Lightning, Brayden Point and Anthony Cirelli, who were chosen for the roster but stayed home because they were not healthy enough to be a bigger help than their replacements. Injured defenseman Josh Morrissey has been ruled out.

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"When it comes to the flag, nobody's getting in the way," Cooper said. "If they're not capable of giving what they think is optimal effort, they don't want to put the country at harm. They understand what we have here."

Canada rallied from a two-goal deficit to beat Finland, motivated in part by giving Crosby a chance to play one more game at what could be his final Olympics.

"We've done that, and we'll see," McDavid said. "He's been around a lot. Obviously, he's been extremely positive: still contributing, even though he didn't play last game, but still being the leader he is."

Nick Suzuki, who moved into the spot playing between Mitch Marner and Mark Stone, figures to be there again in the final if Crosby is unavailable. Suzuki said Crosby "looked really good out there on the ice" and hopes the well-respected captain will be good enough to go.

"It'd mean a lot to him and probably us," Suzuki said. "He's such a big leader, big voice. Everyone looks up to him. It'd be awesome if he could play."

AP Winter Olympics:https://apnews.com/hub/milan-cortina-2026-winter-olympics

Injured Canada captain Sidney Crosby's status uncertain for the Olympic gold medal game

MILAN (AP) — Canada has not decided whether injured captain Sidney Crosby will play inthe gold medal gameat the Olympics...

 

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